Gay butler
As everyone else becomes, Barrow merely is. As half the family hares off to the French Riviera to unravel a mysterious inheritance, Lady Mary Michelle Dockery stays behind to shepherd the production of a silent film at Downton. Yelp users haven’t asked any questions yet about Gay Butler Interior Design.
Mauricehis most autobiographical book, was written in The gay butler finally finds a period-appropriate arrangement in the second film, correcting a misstep from the first movie.
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From isolation to conversion therapy, his struggles are our struggles, just in period drag. Fifty-seven minutes in to the first episode of Downton Abbeythe fastidious, sharp-featured footman Thomas Barrow makes his move, confronting his erstwhile summer lover—the impoverished but entitled Duke of Crowborough—with epistolary evidence of their affair.
All of them, that is, except for Thomas Barrow. Thomas Barrow, usually referred to as just Barrow, is the former butler and long time servant at Downton Abbey, having previously worked there as junior footman, first footman, head valet, and under-butler, as well as serving in the army as a Corporal and later Lance Sergeant.
The Duke, on the other hand, is louche and unctuous, the human personification of privilege lounging in a fabulous dressing gown. The tricky work of navigating those changes is the dramatic engine that powers Downton Abbey. While everyone else in the show becomesBarrow already is.
In the film, audiences will see Barrow in the context of a wider gay world for the first time: visiting a secret gay bar, dodging police harassment, and possibly even finding love. Ideas about sex and sexuality are as much a part of this violent flowering as are atonal music or flapper dresses.
Dating back at least into the 19 th century, queer performers were integral to the spread of sexual information in several ways. While Lady Mary unexpectedly takes on a role in the film, Thomas finds himself offered a new role all his own, when Guy pursues him to leave Downton and become his manservant.
On the other hand, it seems to remove sexuality from the domain of history entirely, suggesting that the experience of being gay has always been the same, no matter the place or period. Although the queer storyline in A New Era is small, it is one of the most historically illuminating that the franchise has produced to date.
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Barrow is instantly recognizable as a modern gay man, even if he gay butler quite uses those words. The question for queer Downton Abbey fans, then, is this: Is Thomas an accurate unveiling of historical homosexuality, hidden but fully formed, just waiting for us to notice his existence?
He arrived at Downton inindicating in he had worked there for ten years.[2] He agreed to succeed Charles. Or is he a backward projection of our current idea of what it means to be gay, an anachronism disguised as a revelation? The post-Edwardian moment— Downton Abbey opens inwith news of the sinking of the Titanic; the movie takes the story all the way up to —was an era of tremendous upheaval in Western culture.
But is there more to his offer? With one short scene, creator Julian Fellowes made a declaration: the love that dare not speak its name would be given voice here. We are watching modern life emerge in all its messy glory, like a little alien head punching through a corseted chest.
Hello to the future of the gay past. Thomas Barrow Rob James-Collier —former footman, would-be blackmailer, and early modern homosexual everyman—is now head butler on staff, giving him ample opportunity to interact with the visiting stars, and in particular, with the debonair Guy Dexter Dominic West.
And regardless of their own true identities, nearly every celebrity was the occasion for a bustling gossip and newspaper industry, whose intimations of sexual deviance were equal parts titillating and informative to readers who might otherwise never had access to the bedrooms of Hollywood and London.